Pam’s Party Line for April 4, 2013

Photo provided by  GINGER GUTTNER -- Animals in Art -- At the March 23 opening reception of the LSU School of Veterinary Medicine's 26th annual International Exhibition on Animals in Art are, from left, juror Sam Corso; show chairwoman Christine Russell; artist Margaret Rice; Dr. Kurt Matushek, editor-in-chief of the Journal of the American Veterinary Medical Association; and Dr. Michael Groves, dean emeritus. Show caption
Photo provided by GINGER GUTTNER -- Animals in Art -- At the March 23 opening reception of the LSU School of Veterinary Medicine's 26th annual International Exhibition on Animals in Art are, from left, juror Sam Corso; show chairwoman Christine Russell; artist Margaret Rice; Dr. Kurt Matushek, editor-in-chief of the Journal of the American Veterinary Medical Association; and Dr. Michael Groves, dean emeritus.

Jeanette Martone, of Deer Park, N.Y., won the $1,000 Best in Show award for her pencil and ink on paper titled “Searching,” and Baton Rouge artist Margaret Rice got the nod from Dr. Kurt Matushek, of Schaumburg, Ill., editor-in-chief of the Journal of the American Veterinary Medical Association, for her oil painting “On Alert,” to appear on a future cover of the journal, in the LSU School of Veterinary Medicine’s 26th annual International Exhibition on Animals in Art. The announcements were made at the March 23 opening reception at the Vet School Library, where the 75 entries selected by judge and juror Sam Corso remain on display through April 21.

In all 179 artists from 35 states and Canada submitted 426 entries for the show. They include Baton Rouge area artists Simon Baxter, Judi Betts, Marjorie Blake, Beverly Coates, Anne Faust, Jane Flowers, Loreta Godwin, Mary Heckman, Ralph Marino, Joann Mobley, Kathy Reeves, Carolyn Ricapito, Krista Ann Roche, Kathy Stone, Doris Truman and Laure Williamson.

Betts established the Thomas R. Betts Memorial Award in memory of her late husband; it went to Don Taylor, of Panama City, Fla., for his transparent watercolor titled “Who’s Got the Shears?” The People’s Choice Award will be named at a later date.

Receiving Judge’s Awards were: “Who Rescued Whom?,” colored pencil, by Margi Hopkins, Batavia, Ohio; “The Bird Watcher,” oil, by Gary Chambers, Elizabethton, Tenn.; “Lord of All He Surveys,” acrylic, by Chris Conover, New York, N.Y.; “Dancing with the Boobies,” acrylic, by Roche; and “Apple Eater,” gypsum cement and acrylic, by Kathe Umlauf, Cambridge Springs, Pa.

Honorable mentions went to: “Crooked Horse,” photograph on cotton fabric, by Coates; “Great Blue,” bronze, by Jim Green, Rapid City, S.D.; “Your Back Door,” watercolor, by Terri Austin-Beech, Calgary, Alberta, Canada; “Katrina Dog,” collage, by Ricapito; “Ralph & Alice,” colored pencil, by Ernie Fournet, New Iberia; “Road Warrior,” bronze, by Mick Doellinger, Fort Worth, Texas; “Mini Bulldog in Repose,” pastel, by Janine Aykens, Robbinsdale, Minn.; “Larry, Moe & Curley,” watercolor collage, by Ann Sawyer, Jaffrey, N.H.; and “Patterns in Nature,” acrylic on board, by Sue Wall, New York.

Art Show committee members were chairwoman Christine Russell, Dean Peter F. Haynes, Dean Emeritus Michael G. Groves, Director of Public Relations Ginger Guttner, LSU Foundation Senior Director of Development Michael D. Robinson, Nadine Carter Russell, Associate Dean for Advancement & Strategic Initiatives David Senior and Tutta Vetter.

Items for “Pam’s Party Line” and “Scenes from Around Town” must be received by 9 a.m. the Monday preceding the run date. Digital photos should be emailed to pbordelon@theadvocate.com; hard copy photos should be dropped off at or mailed to The Advocate, 7290 Bluebonnet Blvd., Baton Rouge, LA 70821. Events will run no later than four weeks after they have taken place. The date, place of the event and a contact name and phone number must be included. Photos may not include more than nine people and will be used on a space-available basis. Hard copy photos can be picked up in the lobby of The Advocate for up to three months after they run. By submitting photos to The Advocate, you agree that they can be published in any of The Advocate’s print or digital publications.